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Brushed in Light: Calligraphy in East Asian Cinema
The Water Magician (Taki no shiraito, 1933)
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The Water Magician (Taki no shiraito, 1933)
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Brushed in Light: Calligraphy in East Asian Cinema
by Markus Nornes
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Technical Info
Creator(s)
Kenji, Mizoguchi
Creator Role
director
Subjects
Asian Studies
Media Studies
Related Section
Introduction
Citable Link
Citable Link
Rightsholder
Mizoguchi Kenji
Copyright Status
fair use
File Format
tiff (TIFF EXIF)
File Size
765 KB
Width
988
Height
757
Mime Type
image/tiff
Last Modified
2023-03-13T15:47:21Z
Original Checksum
3929cb074d3e32535ee1709d9b5a702b
Figure 0.8. The end title for Mizoguchi Kenji’s The Water Magician (Taki no shiraito, 1933) uses cursive calligraphy and is ornamented with ioriten, the squiggly lines framing text which indicate period and invoke the narratives of traditional theater and song.
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