Stereopticon card of Osaka’s Dotenburi entertainment district

From Brushed in Light: Calligraphy in East Asian Cinema by Markus Nornes

  • Asian Studies
  • Media Studies
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  • Figure 1.13. Umehara Seizan’s calligraphy for Kagemusha (1980); along with Im Kwon-taek and King Hu, Kurosawa Akira was one of the directors who cared deeply about the calligraphy in his films.