24 Eyes (Niju-shi no hitomi, 1954)

From Brushed in Light: Calligraphy in East Asian Cinema by Markus Nornes

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  • Asian Studies
  • Media Studies
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  • Figure 4.12. A present sits in the honored space of a tokonoma in 24 Eyes (Niju-shi no hitomi, 1954), the vertical stroke of the calligraphy carefully displaced from the very center of the frame.