Examples of analogues to the screenscape with props, in Korean period films

From Brushed in Light: Calligraphy in East Asian Cinema by Markus Nornes

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  • Asian Studies
  • Media Studies
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  • Figure 4.10. Korean period films often create analogues to the screenscape with props. Here are typical examples (clockwise from the upper left) from The Villainess (Aknyeo, 2017), The Happy Day of Maeng Jin-sa (Maeng Jin-sadaek gyeongsa, 1962), Genealogy (Jokbo, 1979), and Madame Freedom (Jayu buin, 1956).