• Fig. 1. Höhenluft (1917, dir. Rudolf Biebrach) provides Heimat clichés as a “holiday from history” (courtesy of the Stiftung Deutsche Kinemathek).

Romance in nature, Höheluft (1917)

From Anti-Heimat Cinema: The Jewish Invention of the German Landscape by Ofer Ashkenazi

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  • Jewish Studies
  • Media Studies:Cinema Studies
  • German Studies
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