• Fig. 21. The final image of Wolf’s Ich war neunzehn (1968) as an ironic reference to Gustav Ucicky’s 1941 Heimkehr.

The ending scene of Ich war neunzehn (1968)

From Anti-Heimat Cinema: The Jewish Invention of the German Landscape by Ofer Ashkenazi

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  • Jewish Studies
  • Media Studies:Cinema Studies
  • German Studies
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