• Fig. 14. Heimat as an emblem of amnesia: the church rises from the ashes of yesterday’s tragedy. Die goldene Pest (1956, dir. John Brahm).

The morning after the fire, Die goldene Pest (1954)

From Anti-Heimat Cinema: The Jewish Invention of the German Landscape by Ofer Ashkenazi

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  • Jewish Studies
  • Media Studies:Cinema Studies
  • German Studies
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