Drawing of scenes viewed through transparent floors, The Glass House

From The Director's Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde by Dassia N. Posner

Sergei Eisenstein, drawing (detail) of the sharp shift in perspective made possible by watching scenes from below through transparent floors. See book: p. 190
Creator(s)	Eisenstein, Sergei
Creator Role	artist
Contributor(s)	Eisenstein, Sergei (author)
Subjects	Performing Arts
Date	January 16, 1927–March 19, 1947
Related Section	Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Keywords	grotesque film perspective shifts creative process plural perspective vertical staging
Content Type	mise-en-scène design
Citable Link	Citable Link

Rightsholder	Russian State Archive of Literature and Art, Moscow
Copyright Status	in-copyright
Rights Granted	non-exclusive, one-time, world rights in all languages
Credit Line	Russian State Archive of Literature and Art, f. 1923 op. 2 ed. khr. 162: 50
Holding Contact	Unauthorized use of this image is prohibited without the prior written permission of the object and/or copyright holder. Russian State Archive of Literature and Art website: http://rgali.ru Durable link to archive folder: http://rgali.ru/object/201245538

File Format	tiff (Tagged Image File Format)
File Size	12.8 MB
Width	2117
Height	1585
Mime Type	image/tiff
Last Modified	2023-03-13T02:51:59Z
Original Checksum	89ad63ec3072743dd01d2d2ddc576c18

Sergei Eisenstein, drawings of scenes viewed through transparent floors, The Glass House (January 16, 1927–March 19, 1947). Russian State Archive of Literature and Art, f. 1923 op. 2 ed. khr. 162: 50.

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