• Figure 2.7. The calligraphic parasol in Shimizu Hiroshi’s The Masseurs and a Woman (Anma to onna, 1938) indicates the hot springs setting and class.

The Masseurs and a Woman (Anma to onna, 1938)

From Brushed in Light: Calligraphy in East Asian Cinema by Markus Nornes

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  • Asian Studies
  • Media Studies
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