The title interposed between the map shapes, alongside Hae-ju’s silhouetted form
From Rediscovering Korean Cinema by Sangjoon Lee, Editor| Subjects |
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- The film’s title interposed between the map shapes, alongside Hyeju’s silhouetted form, at the end of the title sequence. The mise-en-scène here demonstrates the duality of structure in young women’s lives—as enabling but also confining—which the film also demonstrates in its approach to the characters’ aspirations, abilities, and built environments.