• Jacques Callot, Riciulina and Metzetin, plate 8 from Balli di Sfessania (c. 1621). Etching. Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund, by exchange, S4.28.6. Photo: Imaging Department © President and Fellows of Harvard College.

Riciulina and Metzetin, etching

From The Director's Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde by Dassia N. Posner


  • Carl Friedrich Thiele adapted this etching as plate 3 (chapter 3, opp. p. 97) in the first edition of E. T. A. Hoffmann’s Princess Brambilla: A Capriccio after Jacques Callot (1821).

    Etching foreground: a woman, left, dances to the music of a theorbo, played by a man, right, in a half mask and feather-adorned hat.

    Etching background: two musicians entertain families and riders on horseback.

    See book: p. 12, 25

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  • Performing Arts
Date
  • c. 1621
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  • non-exclusive, one-time, world rights in all languages
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  • Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund, by exchange, S4.28.6
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  • Unauthorized use of this image is strictly prohibited without the prior written permission of the object and/or copyright holder.

    Harvard Art Museums website: http://www.harvardartmuseums.org

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