Curtain design for the opera Love for Three Oranges

From The Director's Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde by Dassia N. Posner

Four competing choruses argue on the forestage in front of a vivid pink curtain that is framed by a bright green proscenium arch with towers on both sides. These towers, decorated in Harlequin-style motley, contain balconies from which fools peer down onto the action below. See book: p. 63, 64; figure 14
Creator(s)	Anisfeld, Boris
Creator Role	artist
Contributor(s)	Prokofiev, Sergei (composer)
Subjects	Performing Arts
Date	Premiere: December 30, 1921
Related Section	Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
Keywords	Auditorium Theatre plural perspective Gozzi parade framing devices commedia dell’arte forestage masks
Content Type	scene design
Citable Link	Citable Link

Copyright Holder	Courtesy of Charles Chatfield-Taylor. Digital photograph copyright © The Art Institute of Chicago
Copyright Status	in-copyright
Rights Granted	non-exclusive, one-time, world rights in all languages
Credit Line	Friends of American Art Collection, 1922.84, The Art Institute of Chicago
Holding Contact	Unauthorized use of this image is prohibited without the prior written permission of the object and/or copyright holder. The Art Institute of Chicago website: http://www.artic.edu

File Format	tiff (Tagged Image File Format)
File Size	22.7 MB
Width	3300
Height	2406
Mime Type	image/tiff
Last Modified	2016-10-20T23:56:44Z
Original Checksum	a8f5c93bce631285c233956f38829e1b

Boris Israelevich Anisfeld, Russian (1879–1973), design for Prokofiev’s opera Love for Three Oranges, Auditorium Theatre, Chicago (world premiere: December 30, 1921). Pink Curtain #2, from Love for Three Oranges, n.d. Gouache and watercolor, with pen and black ink, gold metallic paint, and charcoal, over graphite, selectively varnished, on off-white laid paper, 565 × 780 mm. Friends of American Art Collection, 1922.84, The Art Institute of Chicago.

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