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Munich and Theatrical Modernism: Politics, Playwriting, and Performance, 1890-1914
Peter Jelavich
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Frontmatter
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Introduction: Modernism, Theater, Munich (page 1)
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ONE Munich in 1890 (page 11)
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TWO Carnivalesque Modernism: Sexuality and Satire (page 53)
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THREE Analytic Modernism: Art and Mammon in Wedekind's Drama (page 100)
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FOUR Cabaretic Modernism: Between Political Aggression and Aesthetic Intimacy (page 139)
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FIVE Retheatricalized Modernism: The Künstler-theater and Its Affinities (page 186)
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SIX Activist Modernism: Failed Compromise, Renewed Assault (page 236)
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Conclusion: Revolution of the Theater and Theaters of Revolution (page 285)
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Appendix: Patrons of Modernist Theater (page 311)
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Abbreviations (page 314)
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Notes (page 315)
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Bibliography (page 367)
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Index (page 397)
Journal Abbreviation | Label | URL |
---|---|---|
AHR | 94.1 (Feb. 1989): 170-171 | http://links.jstor.org/sici?sici=0002-8762%28198902%2994%3A1%3C170%3AMATMPP%3E2.0.CO%3B2-9 |
AHR | 92.4 (Oct. 1987): 879-907 | http://links.jstor.org/sici?sici=0002-8762%28198710%2992%3A4%3C879%3AIHATLT%3E2.0.CO%3B2-D |
JMH | 59.3 (Sep. 1987): 626-628 | http://links.jstor.org/sici?sici=0022-2801%28198709%2959%3A3%3C626%3AMATMPP%3E2.0.CO%3B2-0 |
Citable Link
Published: 1996
Publisher: Harvard University Press
- 9780674588356 (hardcover)
- 9780674588363 (paper)