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Britten's musical language

Philip Ernst Rupprecht
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  • Contents

  • Reviews

  • Frontmatter
  • Acknowledgments (page ix)
  • 1 Introduction: Britten's musical language (page 1)
  • 2 Peter Grimes: The force of operatic utterance (page 32)
  • 3 Motive and narrative in Billy Budd (page 75)
  • 4 The Turn of the Screw: innocent performance (page 138)
  • 5 Rituals: the War Requiem and Curlew River (page 187)
  • 6 Subjectivity and perception in Death in Venice (page 245)
  • Notes (page 297)
  • Bibliography (page 337)
  • Index (page 352)
Reviews
Journal AbbreviationLabelURL
MT 143.1880 (Autumn 2002): 66-67 http://www.jstor.org/stable/1004553
JAMS 58.1 (Spring 2005): 243-247 http://www.jstor.org/stable/4138511
MTS 27.1 (Spring 2005): 138-145 http://www.jstor.org/stable/4499830
Citable Link
Published: c2001
Publisher: Cambridge University Press
ISBN(s)
  • 9780521031035 (paper)
  • 9780511088933 (ebook)
  • 9780521631549 (hardcover)
Series
  • Music in the Twentieth Century
Subject
  • Music & Musicology
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