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Britten's musical language
Philip Ernst Rupprecht
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Frontmatter
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Acknowledgments (page ix)
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1 Introduction: Britten's musical language (page 1)
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2 Peter Grimes: The force of operatic utterance (page 32)
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3 Motive and narrative in Billy Budd (page 75)
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4 The Turn of the Screw: innocent performance (page 138)
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5 Rituals: the War Requiem and Curlew River (page 187)
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6 Subjectivity and perception in Death in Venice (page 245)
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Notes (page 297)
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Bibliography (page 337)
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Index (page 352)
Journal Abbreviation | Label | URL |
---|---|---|
MT | 143.1880 (Autumn 2002): 66-67 | http://www.jstor.org/stable/1004553 |
JAMS | 58.1 (Spring 2005): 243-247 | http://www.jstor.org/stable/4138511 |
MTS | 27.1 (Spring 2005): 138-145 | http://www.jstor.org/stable/4499830 |
Citable Link
Published: c2001
Publisher: Cambridge University Press
- 9780521031035 (paper)
- 9780511088933 (ebook)
- 9780521631549 (hardcover)