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  2. Kay Pacha: Cultivating earth and water in the Andes

Kay Pacha: Cultivating earth and water in the Andes

Penelope Dransart
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  • Overview

  • Contents

This volume derives from a symposium held at the University of Wales, Lampeter, in April 1998. The 24 papers cover a wide range of archaeological and ethnographical interests.
  • Front Cover
  • Title Page
  • Copyright
  • Table of Contents
  • List of Contributors
  • Preface
  • 1. Introduction: terrains of significance in the Andes
  • 2. Pacha – space and timein the Huarochirí manuscript
  • 3. Mountains historicized: ancestors and landscape in the Colonial Andes
  • 4. Tierra, producción y música en el área agrícola de Parinacota: el caso del rito de Pachallampi
  • 5. The Devil and María Picha Picha at San Antonio del Nuevo Mundo: a pachakuti in the colonial past of a mining area
  • 6. A visual representation of pachakuti: the role of footwear in Guaman Poma
  • 7. Boundary practice and historical consciousness in Spain and Peru
  • 8. Stone: Spanish ‘mojon’ as a translation of Quechua and Aymara terms for ‘limit’
  • 9. Mapping contested boundaries: Andean and Andeanist mapping in the Central Ecuadorian Andes
  • 10. ‘Vengeance is sweet’: a herdswoman’s recompense in the music of the Mantaro Valley
  • 11. The animated soundscape and the mountain's bones
  • 12. Reading without words: landscapes and symbolic objectsas repositories of knowledge and meaning
  • 13. Punning in multimodal narratives: four Andean tales
  • 14. Taira rock art: a powerful setting for camelid herders
  • 15. El contexto ecológico y económico del arte rupestre en la arqueología de la Puna Meridional Argentina
  • 16. The role of the challada in llama culling (Puna of Atacama, Argentina)
  • 17. Changing subsistence, settlement and administrative strategies during the Late Preceramic and Initial Period in the Casma Valley of Peru
  • 18. Prehistoric Chimú irrigation strategies on the Peruvian North Coast
  • 19. Cultural and environmental changein the Cuzco region of Peru: rural development implications of combined archaeological and palaeoecological evidence
  • 20. Ritual movements in Cuzco
  • 21. Somos como incas: los Varayoq de Pisac en los 90
  • 22. Mimesis as participation: imagery, style, andfunction of the Michael C. Carlos Museum paccha,an Inka ritual watering device
  • 23. The potter’s art in the Andes: art or ritual?
  • 24. Rumi: an ethnolinguistic approach to thesymbolism of stone(s) in the Andes
Citable Link
Published: 2006
Publisher: BAR Publishing
Copyright Holder: BAR Publishing
ISBN(s)
  • 9781841719139 (paperback)
  • 9781407329277 (ebook)
BAR Number: S1478
Subject
  • Epigraphy / Ancient and Medieval Texts / Papyri
  • Ethnoarchaeology / Anthropology
  • Art / Sculpture / Gems / Seals
  • Archaeobotany / Environment and Climate
  • Agriculture / Farming / Husbandry / Land-use / Irrigation
  • Central and South America and the Caribbean
  • Music and Dance
  • Ritual / Religion / Temples
  • Multiperiod
  • Dress / Jewellery / Personal Ornament
  • Rock-Art / Semiotics
BAR Publishing logo +44 (0)1865 310431 info@barpublishing.com www.barpublishing.com

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