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Masqued mysteries unmasked: early modern music theater and its Pythagorean subtext
Kristin Rygg
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Frontmatter
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Acknowledgments (page xi)
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Preface (page xiii)
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Introduction (page xv)
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What is a Masque? (page xvi)
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The French Cousin (page xviii)
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The Masque as Politics or the Philosophies of the Masque (page xx)
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The Masque in the Pythagorean Context (page xxv)
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The Appropriation of Mysteries (page xxvii)
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Recovering a Historical Identity (page xxviii)
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Beliefs and Rationality (page xxxvi)
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PART I: MASQUES AND BALLETS
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The English Court Masque in Context (page 3)
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The Ballet de Cour and the Académie de Baïf (page 29)
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PART II: PYTHAGOREAN MYSTERIES
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Pythagoras and the Society of the Elect (page 53)
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Music and the Arts in the Pythagorean World View (page 75)
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Pythagoreanism and the Renaissance (page 99)
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PART III: MYSTERIES UNMASKED
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The Unveiling of Circé (page 145)
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Pythagoreanism and the English Court Masque (page 171)
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Conclusion (page 209)
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Appendix I: The Pythagorean Source Material and Its Transmission to the Renaissance (page 215)
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Appendix II: Renaissance Editions of Ancient Sources on Pythagoreanism and a Selection of Renaissance Publications Containing Pythagorean Lore (page 231)
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Bibliography (page 241)
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List of Illustrations (page 257)
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Index (page 259)
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About the Author (page 267)
Journal Abbreviation | Label | URL |
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NOT | 58.3 (Mar. 2000): 564-565 | http://www.jstor.org/stable/900931 |
MT | 141.1873 (Winter 2000): 56-58 | http://www.jstor.org/stable/1004736 |
Citable Link
Published: c2000
Publisher: Pendragon Press
- 9781576470732 (paper)