Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Endless night: cinema and psychoanalysis, parallel histories
Janet Bergstrom
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Introduction: Parallel Lines (Janet Bergstrom, page 1)
-
1. Cinema and Psychoanalysis: Parallel Histories (Stephen Heath, page 25)
-
2. Temporality, Storage, Legibility: Freud, Marey, and the Cinema (Mary Ann Doane, page 57)
-
3. The Fetish in the Theory and History of the Cinema (Marc Vernet, page 88)
-
4. Cyberspace, or the Unbearable Closure of Being (Slavoj Žižek, page 96)
-
5. Sarte's Freud: Dimensions of Intersubjectivity in The Freud Scenario (David James Fisher, page 126)
-
6. Freud as Adventurer (Peter Wollen, page 153)
-
7. Textual Trauma in Kings Row and Freud (Janet Walker, page 171)
-
8. Freud and the Psychoanalytic Situation on the Screen (Alain de Mijolla, M. D., page 188)
-
9. Hitchcock's Trilogy: A Logic of Mise en Scène (Ayako Saito, page 200)
-
10. More! From Melodrama to Magnitude (Joan Copjec, page 249)
-
11. Chantal Akerman: Splitting (Janet Bergstrom, page 273)
-
CONTRIBUTORS (page 291)
-
INDEX (page 295)
Journal Abbreviation | Label | URL |
---|---|---|
FQ | 54.4 (Summer 2001): 51-52 | http://www.jstor.org/stable/1213650 |
Citable Link
Published: c1999
Publisher: University of California Press
- 9780520207486 (paper)
- 9780520207479 (hardcover)