Stephanie Dinkins: On Love & Data

Mitra, Srimoyee

doi:doi:10.3998/mpub.12742314

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3-D rendered image: black background with medium-brown female with salt-and-pepper kinky hair. Renderer settings display in white text beneath.

Stephanie Dinkins, Not the Only One Avatar: Becoming, 2020

Stephanie Dinkins Not the Only One Avatar: Becoming, 2020. Digital image. © Stephanie Dinkins.

Detail still image of installation: Left center is the image of a woman with dark-brown skin. The figure comprises black-eyed peas. She has short white hair and wears a red outfit. She is laughing. Right center is a similar image of the same woman. She is screaming. Both women appear to be floating in outer space on a black background. Orbs with faces are circling around them.

Stephanie Dinkins, #SayItAloud, 2020-2021

Stephanie Dinkins #SayItAloud, 2020–21. Interactive WebXR experience

(https://sayitaloud.stephaniedinkins.com/). © Stephanie Dinkins.

Photo: A male student with dark-brown skin wearing a turquoise baseball hat and black sweatshirt is positioning his ear toward V2 of Not the Only One, a sculpture made of gold plastic with sparkles. The sculpture is on a white pedestal in a white room.

Stephanie Dinkins, Not the Only One (N'TOO), V2 Gold, 2018 - ongoing

Stephanie Dinkins Not the Only One (N’TOO), V2 Gold, 2018–. Deep learning AI, computer, arduino, sensors, electronics, cast glass, sculpture. 22" W x 22" D x 24" H; pedestal 22" H x 36" D x 22" W. © Stephanie Dinkins.

Screenshot: Computer-generated dialogue in an average serif typeface, green text on a black background similar to a terminal. It depicts a dialogue from an unnamed questioner and Not the Only One.

Stephanie Dinkins, Untitled (N'TOO Residue), 2021,

Stephanie Dinkins Untitled (N’TOO Residue), 2021. Screenshot. © Stephanie Dinkins.

Photo: A light-skinned Black woman with gray hair pulled back wearing a pink-and-white striped dress standing looking out at a lush green garden with leaves and flowers. Woman is holding a rake and standing outside. In the background are a street, car, and corner shop. The sun is shining on her face.

Snapshot of Nana (Bernice Curry) in her garden. From the Dinkins Family photo archive.

Snapshot of Nana (Bernice Curry) in her garden. From the Dinkins Family photo archive. Reprinted with permission of Stephanie Dinkins.

Screenshot: Running from left to right is WebXR view of an illustrated forest of enlarged green okra plants, cotton, and purple poppies. Right of center is a Black woman with a short Afro hairstyle. She is wearing a black tank top and black bottoms. There is white subtitle text in the center bottom that reads "A growing a protopian collective." There is a black background.

Stephanie Dinkins, Untitled (Secret Garden Screen Grab with subtitles), 2020, Interactive WebXR

Stephanie Dinkins Untitled (Secret Garden screen grab with subtitles) 2020. Interactive WebXR. © Stephanie Dinkins.

Photo: On the left is Bina48, a female robot with dark-brown rubber skin with shoulder-length, light-brown hair wearing a white T-shirt and colorful scarf. On the right is artist Stephanie Dinkins, a dark-brown woman with shoulder-length locs, wearing a white T-shirt and colorful scarf. There is a light-gray background.

Stephanie Dinkins, Conversations with Bina48 Fragments 7, 6, 5, 2, 2018, Constructed digital image, Dimensions variable.

Stephanie Dinkins Conversations with Bina48 Fragments 7, 6, 5, 2 2018. Constructed digital image, dimensions variable. © Stephanie Dinkins.

Digital image: Square print made up of textured dark blue, light blue, and red stripes in an abstract form.

Stephanie Dinkins, Untitled 1 (N'TOO Residue: Auntie), 2021, Digital print on linen, 36" x 36"

Stephanie Dinkins Untitled 1 (N’TOO Residue: Auntie), 2021. Digital print on linen, 36" x 36". © Stephanie Dinkins.

Digital image: Square print made up of textured blue and brown stripes with glimpses of a Black person's face.

Stephanie Dinkins, Untitled 3 (N'TOO Residue: Sade), 2021, Digital print on linen, 36" x 36"

Stephanie Dinkins _Untitled 3 (N’TOO Residue: Sade)_2021. Digital print on linen, 36" x 36". © Stephanie Dinkins.

Digital image: Square abstract print made up of textured blue and white stripes with glimpses of a Black person's face.

Stephanie Dinkins, Untitled 2 (N'TOO Residue: Stephanie), 2021, Digital print on linen, 36" x 36"

Stephanie Dinkins Untitled 2 (N’TOO Residue: Stephanie), 2021 Digital print on linen, 36” _ 36” © Stephanie Dinkins

Photo: Two Black women talk while at a kitchen table in a sun-drenched room. A woman with gray hair and white blouse sits on the left. A woman with dark hair and laptop sits on the right, facing away from the viewer. They are in a kitchen with a white fridge on the left, a curtained window on the right, and a table in the near center.

Stephanie Dinkins, Untitled (N'TOO Conversation), 2020,

Stephanie Dinkins Untitled (N’TOO Conversation), 2020. Photograph. © Stephanie Dinkins.

Screenshots: Three rectangle smartphones facing screen up. On the left is a smartphone screen with white text on a black background with a pixelated photo of a Black woman in a colorful dress. In the center is a smartphone screen with one sentence of black text on a green background with two red dots on the bottom. On the right is a smartphone screen with white text on a black background.

Stephanie Dinkins, Binary Calculations Are Inadequate to Assess Us Mobile App, 2021, Screen grabs, Dimensions variable

Stephanie Dinkins Binary Calculations Are Inadequate to Assess Us, 2021. Mobile app, screen grabs, dimensions variable. © Stephanie Dinkins.

Screenshot: website with salmon pink background titled "Binary Calculations" with pop-ups in purple, blue, or pink on the sides. On the right lower corner is an image of a brown-skinned woman with an Afro sitting by a window and reading a book.

Stephanie Dinkins, Binary Calculations Are Inadequate to Assess Us, 2021, Screen Grab

Stephanie Dinkins Binary Calculations Are Inadequate to Assess Us, 2021. Screen grab. © Stephanie Dinkins. The reading woman image is a photo by Thought Catalog on Unsplash. This is a FREE stock image from Unsplash. See Unsplash License.

Video still: Grid of photo squares with seven squares across and four squares down. Each square has an abstracted human face wearing some sort of red shirt.

Stephanie Dinkins, A ____________________________ woman smiling, 2021, Video still from GAN computer generated videos. Image from artist devised text (text to image GAN). Video, 5 Seconds.

Stephanie Dinkins A____________________________ woman smiling, 2021. Video still from GAN computer-generated videos. Image from artist-devised text (text-to-image GAN). Video, five seconds. © Stephanie Dinkins.

Video still: Grid of black and white photo squares with seven squares across and four squares down. Each square has an abstracted human mouth.

Stephanie Dinkins, A ____________________________ woman smiling, 2021, Video still from GAN computer generated videos. Image from artist devised text (text to image GAN). Video, 5 Seconds, 2.

Video still: Grid of photo squares with seven squares across and four squares down. Some squares have abstracted bodies in them. Multicolored.

Stephanie Dinkins, A ____________________________ woman smiling, 2021, Video still from GAN computer generated videos. Image from artist devised text (text to image GAN). Video, 5 Seconds, 3.

Stephanie Dinkins, A____________________________ woman smiling, 2021. Video still from GAN computer-generated videos. Image from artist-devised text (text-to-image GAN). Video, five seconds. © Stephanie Dinkins.

Digital image: In the center is an abstracted Black person wearing a white shirt with their hands together in front of them. The person is wearing blue pants and one of their legs looks like a piece of wood. The very top of their head is cut off by the frame. The background is gray tannish color.

Stephanie Dinkins, A Proud Black Man, 2022, Digital image.

Exhibit photo: Dark room with a purple illuminated floor. The floor is in the foreground and there are small sculptures of buildings in the front of wall projections. On the walls is the projection "The Secret Garden" by artist Stephanie Dinkins. The projection shows two Black women, one on the left and one on the right. Behind them are cotton, okra, and green leaves. Above the projection is a black sky and a few purple lights.

Installation view of Secret Garden by Stephanie Dinkins in the exhibition Stephanie Dinkins: On Love & Data on view at the Queens Museum from March 13, 2022 - August 14, 2022

Installation view of Secret Garden in the exhibition Stephanie Dinkins: On Love & Data at the Queens Museum, March 13, 2022–August 14, 2022. Photo by Stephanie Dinkins. © Stephanie Dinkins.

Screenshot: View from WebXR, an illustration design is running horizontally across the image of white cotton, green okra plants, purple poppies, and yellow roses. There are white stars mingled in the garden and below. The background on top and bottom is black.

Stephanie Dinkins, Secret Garden, 2021, Screen grab from Secret Garden WebXR online

Open external resource at https://www.stephaniedinkins.com

University of Michigan Press
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Stephanie Dinkins: On Love & Data

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Stephanie Dinkins, Not the Only One Avatar: Becoming, 2020

Stephanie Dinkins, #SayItAloud, 2020-2021

Stephanie Dinkins, Not the Only One (N'TOO), V2 Gold, 2018 - ongoing

Stephanie Dinkins, Untitled (N'TOO Residue), 2021,

Snapshot of Nana (Bernice Curry) in her garden. From the Dinkins Family photo archive.

Stephanie Dinkins, Untitled (Secret Garden Screen Grab with subtitles), 2020, Interactive WebXR

Stephanie Dinkins, Conversations with Bina48 Fragments 7, 6, 5, 2, 2018, Constructed digital image, Dimensions variable.

Stephanie Dinkins, Untitled 1 (N'TOO Residue: Auntie), 2021, Digital print on linen, 36" x 36"

Stephanie Dinkins, Untitled 3 (N'TOO Residue: Sade), 2021, Digital print on linen, 36" x 36"

Stephanie Dinkins, Untitled 2 (N'TOO Residue: Stephanie), 2021, Digital print on linen, 36" x 36"

Stephanie Dinkins, Untitled (N'TOO Conversation), 2020,

Stephanie Dinkins, Binary Calculations Are Inadequate to Assess Us Mobile App, 2021, Screen grabs, Dimensions variable

Stephanie Dinkins, Binary Calculations Are Inadequate to Assess Us, 2021, Screen Grab

Stephanie Dinkins, A ____________________________ woman smiling, 2021, Video still from GAN computer generated videos. Image from artist devised text (text to image GAN). Video, 5 Seconds.

Stephanie Dinkins, A ____________________________ woman smiling, 2021, Video still from GAN computer generated videos. Image from artist devised text (text to image GAN). Video, 5 Seconds, 2.

Stephanie Dinkins, A ____________________________ woman smiling, 2021, Video still from GAN computer generated videos. Image from artist devised text (text to image GAN). Video, 5 Seconds, 3.

Stephanie Dinkins, A Proud Black Man, 2022, Digital image.

Installation view of Secret Garden by Stephanie Dinkins in the exhibition Stephanie Dinkins: On Love & Data on view at the Queens Museum from March 13, 2022 - August 14, 2022

Stephanie Dinkins, Secret Garden, 2021, Screen grab from Secret Garden WebXR online

Stephanie Dinkins, Say It Aloud, 2021-ongoing

Stephanie Dinkins: On Love & Data

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