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The Parma Ildefonsus: a Romanesque illuminated manuscript from Cluny, and related works
Meyer Schapiro
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Frontmatter
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Preface (page v)
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Introduction (page 3)
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I. The Parma Codex, Biblioteca Palatina MS 1650 (page 5)
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II. Description of the Parma Codex (page 7)
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III. The Choice of Scenes (page 9)
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IV. The Ildefonsus Painter (Hand A) (page 10)
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V. The Architecture (page 11)
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VI. The Figures (page 14)
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VII. The Ildefonsus Painter and German Art (page 20)
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VIII. The Initials (page 26)
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IX. The Ornament of the Borders (page 30)
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X. The Colophon Painter (Hand B) (page 34)
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XI. Cluny and the Italo-Byzantine Style (page 41)
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XII. The Parma Codex and Burgundian Art (page 54)
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XIII. The Date of the Parma Codex (page 59)
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XIV. The Text (page 62)
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XV. The Madrid Ildefonsus, MS 10087 (page 64)
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XVI. The Purpose of the Parma Codex (page 67)
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Appendix I. The Contents of the Parma Codex (page 73)
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Appendix II. The Limoges Ildefonsus, Paris, Bibl. Nat. MS lat. 2833 (page 75)
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Index of Manuscripts (page 77)
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General Index (page 80)
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Illustrations (page 89)
Journal Abbreviation | Label | URL |
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SP | 41.4 (Oct. 1966): 764-767 | http://links.jstor.org/sici?sici=0038-7134%28196610%2941%3A4%3C764%3ATPIARI%3E2.0.CO%3B2-5 |
Citable Link
Published: 1964
Publisher: College Art Association