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  3. Beyond the soundtrack: representing music in cinema

Beyond the soundtrack: representing music in cinema

Daniel Goldmark, Lawrence Kramer and Richard D Leppert
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  • Contents

  • Reviews

  • Frontmatter
  • List of Illustrations (page vii)
  • Introduction. Phonoplay: Recasting Film Music (page 1)
  • PART I. MUSICAL MEANING
    • 1. The Boy on the Train, or Bad Symphonies and Good Movies: The Revealing Error of the "Symphonic Score" (Peter Franklin, page 13)
    • 2. Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones's Eroica (Nicholas Cook, page 27)
    • 3. Minima Romantica (Susan McClary, page 48)
    • 4. Melodic Trains: Music in Polanski's The Pianist (Lawrence Kramer, page 66)
    • 5. Mute Music: Polanski's The Pianist and Campion's The Piano (Michel Chion, page 86)
  • PART II. MUSICAL AGENCY
    • 6. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo (Richard Leppert, page 99)
    • 7. Sight, Sound, and the Temporality of Myth Making in Koyaanisqatsi (Mitchell Morris, page 120)
    • 8. How Sound Floats on Land: The Suppression and Release of Folk and Indigenous Musics in the Cinematic Terrain (Philip Brophy, page 136)
    • 9. Auteur Music (Claudia Gorbman, page 149)
    • 10. Transport and Transportation in Audiovisual Memory (Berthold Hoeckner, page 163)
    • 11. The Fantastical Gap between Diegetic and Nondiegetic (Robynn J. Stilwell, page 184)
  • PART III. MUSICAL IDENTITY
    • 12. Early Film Themes: Roxy, Adorno, and the Problem of Cultural Capital (Rick Altman, page 205)
    • 13. Before Willie: Reconsidering Music and the Animated Cartoon of the 1920s (Daniel Goldmark, page 225)
    • 14. Side by Side: Nino Rota, Music, and Film (Richard Dyer, page 246)
    • 15. White Face, Black Noise: Miles Davis and the Soundtrack (Krin Gabbard, page 260)
    • 16. Men at the Keyboard: Liminal Spaces and the Heterotopian Function of Music (Gary C. Thomas, page 277)
  • Notes on Contributors (page 293)
  • Works Cited (page 297)
  • Index of Films Cited (page 311)
  • Index of Names (page 317)
Reviews
Journal AbbreviationLabelURL
MSMI 3.2 (Autumn 2009): 215-235 http://muse.jhu.edu/journals/music_sound_and_the_moving_image/v003/3.2.reyland.html
MAL 90.1 (Feb. 2009): 113-116 http://muse.jhu.edu/journals/music_and_letters/v090/90.1.davison.html
MOD 15.3 (Sep. 2008): 587-589 http://muse.jhu.edu/journals/modernism-modernity/v015/15.3.wierzbicki.html
LEO 41.4 (Aug. 2008): 406-407 http://muse.jhu.edu/journals/leonardo/v041/41.4.baetens.html
NOT 64.4 (Jun. 2008): 759-761 http://muse.jhu.edu/journals/notes/v064/64.4.argyropoulos.html
Citable Link
Published: c2007
Publisher: University of California Press
ISBN(s)
  • 9780520250697 (hardcover)
  • 9780520940550 (ebook)
  • 9780520250703 (paper)
Subject
  • Film & Media Studies
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