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American superrealism: Nathanael West and the politics of representation in the 1930s
Jonathan Veitch
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Frontmatter
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Acknowledgments (page ix)
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Preface (page xi)
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Introduction: Who Can We Shoot? The Crisis of Representation in the 1930s (page 3)
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PART I
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1. American Superrealism (page 15)
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2. Euclid's Asshole: The Dream Life of Balso Snell (page 23)
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PART II
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3. "Lousy with Pure / Reeking with Stark": Contact (page 47)
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4. The People Talk: Miss Lonelyhearts (page 67)
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5. The Folklore of Capitalism: A Cool Million (page 88)
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6. The Clichés Are Having a Ball: The Day of the Locust (page 113)
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Postscript: Madonna's Bustier; or "The Burning of Los Angeles" (page 132)
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Notes (page 139)
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Index (page 175)
Journal Abbreviation | Label | URL |
---|---|---|
AL | 72.3 (Sep. 2000): 643-644 | http://www.jstor.org/stable/2902521 |
ALH | 13.2 (Summer 2001): 343-353 | http://www.jstor.org/stable/3054608 |
AmQ | 52.1 (Mar. 2000): 159-167 | http://www.jstor.org/stable/30041830 |
Citable Link
Published: c1997
Publisher: The University of Wisconsin Press
- 9780299157005 (hardcover)
- 9780299157043 (paper)
- 9780299157036 (ebook)