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Three modes of perception in Mozart: the philosophical, pastoral, and comic in Così fan tutte
Edmund Joseph Goehring
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Frontmatter
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List of tables (page xi)
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Preface and acknowledgments (page xiii)
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A note on translations (page xvi)
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List of abbreviations (page xvii)
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1 An overture to Così fan tutte: the poetics of the opera over two centuries (page 1)
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2 The philosophical mode (page 53)
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3 The pastoral mode (page 122)
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4 The comic mode (page 197)
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Epilogue (page 274)
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Bibliography (page 281)
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Index (page 292)
Journal Abbreviation | Label | URL |
---|---|---|
MT | 146.1892 (Autumn 2005): 104-105 | http://www.jstor.org/stable/30044113 |
Citable Link
Published: c2004
Publisher: Cambridge University Press
- 9780511263019 (ebook)
- 9780521099165 (paper)
- 9780521838818 (hardcover)