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Wagner's melodies: aesthetics and materialism in German musical identity
David Trippett
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Frontmatter
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List of illustrations (page viii)
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Acknowledgements (page x)
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A note on presentation (page xii)
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List of abbreviations (page xiii)
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Introduction (page 1)
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1 German melody (page 12)
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2 Melodielehre? (page 69)
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3 Wagner in the melodic workshop (page 130)
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Excursus: Bellini's Sinnlichkeit and Wagner's Italy (page 182)
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4 Hearing voices: Wilhelmine Schröder-Devrient and the Lohengrin "recitatives" (page 198)
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5 Vowels, voices, and "original truth" (page 280)
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6 Wagner's material expression (page 330)
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Epilogue: Turning off the lights (page 393)
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Appendix A: Books on language in Wagner's Dresden library (page 399)
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Appendix B: Books on language in Wagner's Wahnfried library (page 402)
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Select bibliography (page 408)
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Index (page 439)
Journal Abbreviation | Label | URL |
---|---|---|
NOT | 70.4 (Jun. 2014): 708-710 | https://muse.jhu.edu/article/544663 |
GSR | 38.3 (Oct. 2015): 667-668 | https://muse.jhu.edu/article/596086 |
Citable Link
Published: 2013
Publisher: Cambridge University Press
- 9781316618233 (paper)
- 9781107014305 (hardcover)
- 9781107069435 (ebook)