Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Musical form and transformation: four analytic essays
David Lewin
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Foreword by Edward Gollin (page vi)
-
Introduction (page ix)
-
CHAPTER 1 Serial Transformation Networks in Dallapiccola's "Simbolo" (page 1)
-
CHAPTER 2 Making and Using a Pcset Network for Stockhausen's Klavierstück III (page 16)
-
CHAPTER 3 Set Theory, Derivation, and Transformational Structures in Analyzing Webern's Opus 10, Number 4 (page 68)
-
CHAPTER 4 A Transformational Basis for Form and Prolongation in Debussy's "Feux d'artifice" (page 97)
-
References (page 161)
-
Index (page 163)
Journal Abbreviation | Label | URL |
---|---|---|
INT | 21 (2007): 155-190 | http://www.jstor.org/stable/40214038 |
JMT | 50.1 (Spring 2006): 111-127 | http://www.jstor.org/stable/27639416 |
JAMS | 62.1 (Spring 2009): 205-222 | http://www.jstor.org/stable/10.1525/jams.2009.62.1.205 |
Citable Link
Published: 2007
Publisher: Oxford University Press
- 9780199759958 (paper)
- 9780199890200 (ebook)
- 9780195317121 (hardcover)