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The films of Oshima Nagisa: images of a Japanese iconoclast
Maureen Cheryn Turim
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Frontmatter
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ACKNOWLEDGMENTS (page ix)
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1. Cultural Iconoclasm and Contexts of Innovation (page 1)
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2. Cruel Stories of Youth and Politics (page 27)
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3. Rituals, Desire, Death: Leaving One's Will on Film (page 61)
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4. Signs of Sexuality in Oshima's Tales of Passion (page 125)
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5. Warring Subjects (page 157)
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6. Popular Song, Fantasies, and Comedies of Iconoclasm (page 185)
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7. Documents of Guilt and Empire (page 215)
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8. Feminist Troubles on a Map of Split Subjectivities (page 246)
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Conclusion: Whither Oshima? (page 269)
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FILMOGRAPHY (page 274)
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BIBLIOGRAPHY (page 291)
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INDEX (page 299)
Journal Abbreviation | Label | URL |
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MN | 54.1 (Spring 1999): 160-162 | http://www.jstor.org/stable/2668290 |
JJS | 26.1 Winter 2000): 176-179 | http://www.jstor.org/stable/133401 |
FQ | 53.1 (Autumn 1999): 51-53 | http://www.jstor.org/stable/3697219 |
Citable Link
Published: c1998
Publisher: University of California Press
- 9780520206663 (paper)
- 9780520918283 (ebook)
- 9780520206656 (hardcover)