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The Author. |
Andrew, Bennett. |
London: Routledge, 2005. |
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Image-Music-Text. |
Barthes, Roland. |
New York: Hill and Wang, 1978. |
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Troubling Confessions: Speaking Guilt in Law and Literature. |
Brooks, Peter. |
Chicago: University of Chicago Press, 2000. |
heb08077.0001.001 |
Hollywood and the Culture Elite: How the Movies Became American. |
Decherney, Peter. |
New York: Columbia University Press, 2005. |
heb05708.0001.001 |
Dido's Daughters: Literacy, Gender, and Empire in Early Modern England and France. |
Ferguson, Margaret W. |
Chicago: University of Chicago Press, 2003. |
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The Foucault Reader. |
Foucault, Michael. |
New York: Pantheon, 1984. |
heb09127.0001.001 |
Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace, 1670-1820. |
Gallagher, Catherine. |
Berkeley: University of California Press, 1995. |
heb01579.0001.001 |
Forgers and Critics: Creativity and Duplicity in Western Scholarship. |
Grafton, Anthony. |
Collins & Brown, 1990. |
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The World Turned Upside Down: Radical Ideas During the English Revolution. |
Hill, Christopher. |
Penguin Books, 1984. |
heb01007.0001.001 |
The Nature of the Book: Print and Knowledge in the Making. |
Johns, Adrian. |
Chicago: University of Chicago Press, 1998. |
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Dreaming in Books: The Making of the Bibliographic Imagination in the Romantic Age. |
Piper, Andrew. |
Chicago: University of Chicago Press, 2009. |
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Medieval Reading: Grammar, Rhetoric and the Classical Text. |
Reynolds, Susan. |
Cambridge: Cambridge University Press, 1996. |
heb31674.0001.001 |
Desire and Excess. |
Siegel, Jonah. |
Princeton: Princeton University Press, 2000. |
heb08287.0001.001 |
Selling the Air: A Critique of the Policy of Commercial Broadcasting in the United States. |
Streeter, Thomas. |
Chicago: University of Chicago Press, 1996. |
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The Verbal Icon: Studies in the Meaning of Poetry. |
Wimsatt, W. K. |
Lexington: University Press of Kentucky, 1954. |