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The city of musical memory: salsa, record grooves, and popular culture in Cali, Colombia
Lise Waxer
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Frontmatter
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List of Illustrations and Tables (page viii)
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Preface (page xi)
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Introduction (page 1)
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1 "In Those Days, Holy Music Rained Down": Origins and Influence of Música Antillana in Cali and Colombia (page 31)
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2 Memory and Movement in the Record-Centered Dance Scene (page 69)
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3 Life in the Vinyl Museum: Salsotecas and Record Collectors (page 111)
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4 "Heaven's Outpost": The Rise of Cali's Live Scene (page 153)
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5 Taking Center Stage: The Boom of Local Bands (page 188)
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6 "Cali Is Feria": Salsa and Festival in Heaven's Outpost (page 222)
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7 Epilogue: Del Puente Pa'llá (page 256)
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Appendix 1: Map of Hubs of Salsa and Música Antillana in Cali (page 264)
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Appendix 2: Map of Socioeconomic Zones in Cali (page 265)
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Appendix 3: Important International and National Bands Appearing at the Cali Feria, 1968-95 (page 266)
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Notes (page 273)
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Glossary (page 291)
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Selected Discography (page 307)
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Index (page 309)
Journal Abbreviation | Label | URL |
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ETMU | 48.3 (Fall 2004): 451-453 | http://www.jstor.org/stable/30046292 |
AMER | 60.2 (Oct. 2003): 296-297 | http://www.jstor.org/stable/3654797 |
BJE | 12.2 (2003): 118-120 | http://www.jstor.org/stable/30036853 |
HAHR | 84.3 (Aug. 2004): 554-555 | http://www.jstor.org/stable/40268734 |
Citable Link
Published: c2002
Publisher: Wesleyan University Press
- 9780819564429 (paper)
- 9780819564412 (hardcover)
- 9780819570567 (ebook)