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  3. German opera: from the beginnings to Wagner

German opera: from the beginnings to Wagner

John Hamilton Warrack
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  • Contents

  • Reviews

  • Frontmatter
  • Acknowledgements (page xi)
  • List of abbreviations (page xiii)
  • Map: centres of German opera (page xv)
  • 1 Sixteenth-century beginnings (page 1)
  • 2 The Thirty Years War and its aftermath (page 17)
  • 3 The Hamburg enterprise (page 34)
  • 4 Travelling troupes and changing attitudes (page 63)
  • 5 From the Seven Years War to the French Revolution (page 86)
  • 6 The Viennese Singspiel (page 124)
  • 7 Mozart's German operas (page 144)
  • 8 From the French Revolution to the turn of the century (page 164)
  • 9 French opera in Germany after the Revolution (page 191)
  • 10 New critics and singers (page 214)
  • 11 Opera in a new century: the first decade (1) (page 226)
  • 12 Opera in a new century: the first decade (2) (page 240)
  • 13 The growth of Romantic and grand opera (page 265)
  • 14 Romantic opera and grand opera in the 1820s (1) (page 302)
  • 15 Romantic opera and grand opera in the 1820s (2) (page 321)
  • 16 Opera in the mid nineteenth century (1) (page 338)
  • 17 Opera in the mid nineteenth century (2) (page 360)
  • 18 Wagner (page 381)
  • Appendix: List of operas (page 402)
  • Bibliography (page 416)
  • Index (page 427)
Reviews
Journal AbbreviationLabelURL
SCJ 33.4 (Winter 2002): 1119-1120 http://www.jstor.org/stable/4144151
GSR 25.3 (Oct. 2002): 581-582 http://www.jstor.org/stable/1432606
NOT 59.1 (Sep. 2002): 77-79 http://www.jstor.org/stable/900749
MT 143.1880 (Autumn 2002): 71-72 http://www.jstor.org/stable/1004557
Citable Link
Published: c2001
Publisher: Cambridge University Press
ISBN(s)
  • 9780521235327 (hardcover)
  • 9780511096792 (ebook)
Series
  • Cambridge Studies in Opera
Subject
  • Dance & Performance History
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