There's dancing again ("Man tanzt wieder")
From Introduction
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From Introduction
“There’s Dancing Again” (“Man tanzt wieder”), Elegante Welt 8:3 (January 29, 1919): 4. Kunstbibliothek, Staatliche Museen, Berlin, Germany. bpk Bildagentur / Kunstbibliothek, Staatliche Museen, Berlin, Germany / Dietmar Katz / Art Resource, NY
Hannah Höch, Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany (Schnitt mit dem Küchenmesser Dada durch die letzte Weimarer Bierbauchkulturepoche Deutschlands), 1919–20. Photomontage. 114 × 90 cm / 44 7/8 × 35 7/16 in. Nationalgalerie, Staatliche Museen, Berlin, Germany. bpk Bildagentur / Nationalgalerie, Staatliche Museen, Berlin, Germany / Jörg P. Anders / Art Resource, NY. © 2019 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
From Chapter 1
Hannah Höch, Cut with the Kitchen Knife, detail of Sent M’Ahesa and Field Marshal Paul von Hindenburg. bpk Bildagentur / Nationalgalerie, Staatliche Museen, Berlin, Germany / Jörg P. Anders / Art Resource, NY. © 2019 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
From Chapter 1
Hannah Höch, Cut with the Kitchen Knife, details of Niddy Impekoven bathing John Heartfield; dancer on point, George Grosz, and Wieland Herzfelde. bpk Bildagentur / Nationalgalerie, Staatliche Museen, Berlin, Germany / Jörg P. Anders / Art Resource, NY. © 2019 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Hannah Höch, Cut with the Kitchen Knife, detail of Niddy Impekoven and Käthe Kollwitz. bpk Bildagentur / Nationalgalerie, Staatliche Museen, Berlin, Germany / Jörg P. Anders / Art Resource, NY. © 2019 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
From Chapter 1
Page 40 →Artist unknown—documentary photo. Hannah Höch with her Dada Dolls (Dada Puppen) in Berlin, 1920. Silver gelatin print from glass negative. 16.8 × 12 cm. Berlinische Galerie, Berlin, Germany. bpk Bildagentur / Berlinische Galerie, Berlin, Germany / Anja Witt / Art Resource, NY
From Chapter 1
Hannah Höch, Dada Panorama (Dada-Rundschau), 1919. Photo, collage, gouache, and watercolor. 43.7 × 34.6 cm. Berlinische Galerie, Berlin, Germany. bpk Bildagentur / Berlinische Galerie, Berlin, Germany / Anja Elisabeth Witte / Art Resource, NY. © 2019 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
From Chapter 1
Hannah Höch, Dada Panorama, detail of dancers. bpk Bildagentur / Berlinische Galerie, Berlin, Germany / Anja Elisabeth Witte / Art Resource, NY. © 2019 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
From Chapter 1
Isadora Duncan at the Theater of Dionysus, Athens, Greece, 1903. Photograph by Raymond Duncan. Jerome Robbins Dance Division Photograph files, The New York Public Library, New York, NY, U.S.A. The New York Public Library / Art Resource, NY
From Chapter 2
Hugo Erfurth, Mary Wigman in Idolatry (Götzendienst), from Ecstatic Dances (Ekstatische Tänze), 1917/19. Photograph. 11.5 × 15.5 cm, 4.53 × 6.10 in. Akademie der Künste, Berlin, Mary-Wigman-Archiv, No. 264.
From Chapter 2
Emil Nolde, Female Dancer (Mary Wigman) (Tänzerin (Mary Wigman)), likely early 1920s. Watercolor. Nolde Stiftung Seebüll © Nolde Stiftung Seebüll
Emil Nolde, Female Dancer (with Violet Veil) (Tänzerin (mit violettem Schleier)), likely early 1920s. Watercolor. Nolde Stiftung Seebüll © Nolde Stiftung Seebüll
Emil Nolde, Dance Scene (Two Green Figures) (Tanzszene (Zwei grüne Figuren)), likely early 1920s. Watercolor. Nolde Stiftung Seebüll © Nolde Stiftung Seebüll
From Chapter 2
August Scherl, Mary Wigman and a group at a performance of “Dance of Death II” (Mary Wigman und Gruppe bei der Aufführung von ‘Totentanz II’), 1926. Photograph. Scherl/Süddeutsche Zeitung Photo.
From Chapter 2
Ernst Ludwig Kirchner (1880–1938). Sketchbook 127/DP34, January 1926. Colored chalks, wax cloth booklet. 20.7 × 16.3 cm. Kirchner Museum Davos. Donation of the Estate of Ernst Ludwig Kirchner 1990. © Kirchner Museum Davos.
From Chapter 2
Ernst Ludwig Kirchner (1880–1938). Sketchbook 127/DP43, January 1926. Colored chalks, wax cloth booklet. 20.7 × 16.3cm. Collection: Kirchner Museum Davos. Donation of the Estate of Ernst Ludwig Kirchner 1990. © Kirchner Museum Davos.
From Chapter 2
Ernst Ludwig Kirchner (1880–1938). Sketchbook 133/DP39, 1926. Colored chalks, wax cloth booklet with three metal clips. 20.7 × 16.3 cm. Kirchner Museum Davos. Donation of the Estate of Ernst Ludwig Kirchner 1990. © Kirchner Museum Davos.
From Chapter 2
Ernst Ludwig Kirchner, Dance Group (Tanzgruppe), 1926. Woodcut print. 16.8 × 10.8 cm to 22.5 × 17.7 cm. Photograph: Courtesy Gallery Henze Ketterer, Wichtrach/Bern.
From Chapter 2
Ernst Ludwig Kirchner, Mary Wigman’s Death Dance (Totentanz der Mary Wigman), 1926/1928. Oil on canvas. 110 × 149 cm. Photograph: Courtesy Gallery Henze Ketterer, Wichtrach/Bern.
From Chapter 2
Ernst Ludwig Kirchner, Oppositional Dance (Gegentanz), 1926. Woodcut print. 26 × 42.8 cm to 32 × 47 cm. Photograph: Courtesy Gallery Henze Ketterer, Wichtrach/Bern.