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  2. Haydn's "Farewell" symphony and the idea of classical style: through-composition and cyclic integration in his instrumental music

Haydn's "Farewell" symphony and the idea of classical style: through-composition and cyclic integration in his instrumental music

James Webster c1991 © Cambridge University Press
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Series
  • ACLS Fellows’ Publications
ISBN(s)
  • 9780521385206 (hardcover)
  • 9781139085151 (ebook)
  • 9780521612012 (paper)
Subject
  • Music & Musicology
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • Foreword by Ian Bent (page xiii)
  • Preface (page xv)
  • Author's note (page xviii)
  • List of abbreviations (page xix)
  • Introduction (page 1)
  • PART I: THE FAREWELL SYMPHONY
    • 1 The construction of the whole (page 13)
    • 2 Instability (page 30)
    • 3 Resolution (page 73)
    • 4 The program (page 113)
  • PART II: CYCLIC ORGANIZATION IN HAYDN'S INSTRUMENTAL MUSIC
    • 5 Progressive form and the rhetoric of instability (page 123)
    • 6 Integration of the cycle (page 174)
    • 7 Extramusical associations (page 225)
    • 8 Individual compositions (page 250)
  • Historiographical conclusion: Haydn's maturity and "Classical style" (page 335)
  • Bibliography (page 375)
  • Index (page 390)
Reviews
Journal AbbreviationLabelURL
JoM 10.2 (Spring 1992): 261-272 http://www.jstor.org/stable/763614
JRMA 118.1 (1993): 147-151 http://www.jstor.org/stable/766547
JAMS 48.2 (Summer 1995): 293-305 http://www.jstor.org/stable/3128818
MusA 13.1 (Mar. 1994): 125-131 http://www.jstor.org/stable/854284
MAL 76.3 (Aug. 1995): 439-442 http://www.jstor.org/stable/737166
NOT 49.3 (Mar. 1993): 994-996 http://www.jstor.org/stable/898944
MTS 19.2 (Autumn 1997): 264-284 http://www.jstor.org/stable/745756
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