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Haydn's "Farewell" symphony and the idea of classical style: through-composition and cyclic integration in his instrumental music
James Webster
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Frontmatter
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Foreword by Ian Bent (page xiii)
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Preface (page xv)
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Author's note (page xviii)
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List of abbreviations (page xix)
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Introduction (page 1)
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PART I: THE FAREWELL SYMPHONY
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1 The construction of the whole (page 13)
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2 Instability (page 30)
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3 Resolution (page 73)
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4 The program (page 113)
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PART II: CYCLIC ORGANIZATION IN HAYDN'S INSTRUMENTAL MUSIC
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5 Progressive form and the rhetoric of instability (page 123)
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6 Integration of the cycle (page 174)
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7 Extramusical associations (page 225)
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8 Individual compositions (page 250)
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Historiographical conclusion: Haydn's maturity and "Classical style" (page 335)
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Bibliography (page 375)
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Index (page 390)
Journal Abbreviation | Label | URL |
---|---|---|
JoM | 10.2 (Spring 1992): 261-272 | http://www.jstor.org/stable/763614 |
JRMA | 118.1 (1993): 147-151 | http://www.jstor.org/stable/766547 |
JAMS | 48.2 (Summer 1995): 293-305 | http://www.jstor.org/stable/3128818 |
MusA | 13.1 (Mar. 1994): 125-131 | http://www.jstor.org/stable/854284 |
MAL | 76.3 (Aug. 1995): 439-442 | http://www.jstor.org/stable/737166 |
NOT | 49.3 (Mar. 1993): 994-996 | http://www.jstor.org/stable/898944 |
MTS | 19.2 (Autumn 1997): 264-284 | http://www.jstor.org/stable/745756 |
Citable Link
Published: c1991
Publisher: Cambridge University Press
- 9781139085151 (ebook)
- 9780521385206 (hardcover)
- 9780521612012 (paper)