Skip to main content
ACLS Humanities EBook

ACLS
Humanities Ebook

Browse Books Help
Get access to more books. Log in with your institution.

Your use of this Platform is subject to the Fulcrum Terms of Service.

Share the story of what Open Access means to you

a graphic of a lock that is open, the universal logo for open access

University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.

  1. Home
  2. Books
  3. Performance and authenticity in the arts

Performance and authenticity in the arts

Salim. Kemal and Ivan Gaskell
Restricted You don't have access to this book. Please try to log in with your institution. Log in
Read Book
  • Contents

  • Frontmatter
  • List of contributors (page ix)
  • Editor's acknowledgments (page x)
  • 1 Performance and authenticity (SALIM KEMAL AND IVAN GASKELL, page 1)
  • PART I Performance, religion, and authenticity (page 13)
    • 2 The Poetics of performance: the necessity of spectacle, music, and dance in Aristotelian tragedy (GREGORY SCOTT, page 15)
    • 3 The "confessing animal" on stage: authenticity, asceticism, and the constant "inconstancie" of Elizabethan character (PETER IVER KAUFMAN, page 49)
    • 4 Art religion, and the hermeneutics of authenticity (NICHOLAS DAVEY, page 66)
  • PART II Understanding, performance, and authenticity (page 95)
    • 5 Understanding music (MICHAEL TANNER, page 97)
    • 6 Understanding music (MALCOLM BUDD, page 114)
    • 7 Musical performance as analytical communication (FRED EVERETT MAUS, page 129)
    • 8 Performance authenticity: possible, practical, virtuous (STAN GODLOVITCH, page 154)
    • 9 Why is it impossible in language to articulate the meaning of a work of music? (JOSEPH J. KOCKELMANS, page 175)
  • PART III Authenticity, poetry, and performance (page 195)
    • 10 Inauthenticity, insincerity, and poetry (ALEX NEILL, page 197)
    • 11 Poetry's oral stage (PETER MIDDLETON, page 215)
    • 12 True stories: Spalding Gray and the authenticities of performance (HENRY M. SAYRE, page 254)
  • Index (page 272)
Citable Link
Published: c1999
Publisher: Cambridge University Press
ISBN(s)
  • 9780521147439 (paper)
  • 9781139085731 (ebook)
  • 9780521454193 (hardcover)
Series
  • Cambridge Studies in Philosophy and the Arts
Subject
  • Art History
ACLS Humanities Ebook Contact Us

Twitter

ACLS Michigan Publishing

ACLS HEB is a partnership between ACLS and Michigan Publishing

ACLS HEB

  • Browse and Search
  • About ACLS HEB
  • Impact and Usage

Information For

  • Librarians
  • Publishers
  • Societies

Quicklinks

  • Help/FAQ
  • Title List
  • MARC Records
  • KBART Records
  • Usage Stats
© 2023 ACLS Humanities Ebook · Accessibility · Preservation · Privacy · Terms of Service
Powered by Fulcrum logo · Log In
x This site requires cookies to function correctly.