Share the story of what Open Access means to you
![a graphic of a lock that is open, the universal logo for open access](/assets/oa-lock-logo-lg-a95dd8d9f9fe5e21ab4499ffd0c8661e55f7d788ae0a03f19a6749eb82e3e899.png)
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Anton Bruckner, Symphony no. 8
Benjamin M. Korstvedt-
Frontmatter
-
Preface and acknowledgments (page ix)
-
A note on editions and terminology (page xi)
-
Introduction (page 1)
-
1 Placing the Eighth Symphony (page 3)
-
2 The genesis and evolution of the Eighth Symphony (page 10)
-
3 The musical design and symphonic agenda of the Eighth (page 27)
-
4 The Adagio and the sublime (page 54)
-
5 The 1887 version and the 1890 version (page 68)
-
6 The 1892 edition, authorship, and performance practice (page 86)
-
Appendix A: Haas's edition of the Eighth Symphony (page 104)
-
Appendix B: Textual differences between The Finale in the 1890 version and the 1892 edition (page 107)
-
Notes (page 111)
-
Select bibliography (page 129)
-
Index (page 132)
Journal Abbreviation | Label | URL |
---|---|---|
NOT | 57.4 (Jun. 2001): 902-903 | http://www.jstor.org/stable/900998 |
MAL | 82.2 (May 2001): 323-328 | http://www.jstor.org/stable/3526079 |
![](/image-service/xk81jk8761530644830/full/full/0/default.png)
Citable Link
Published: c2000
Publisher: Cambridge University Press
- 9780521635370 (paper)
- 9780521632263 (hardcover)
- 9780511089107 (ebook)