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  2. The dark mirror: German cinema between Hitler and Hollywood

The dark mirror: German cinema between Hitler and Hollywood

Lutz P. Koepnick c2002 © University of California Press
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Series
  • ACLS Fellows’ Publications
ISBN(s)
  • 9780520233119 (paper)
  • 9780520936355 (ebook)
  • 9780520233102 (hardcover)
Subject
  • Film & Media Studies
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • List of Illustrations (page ix)
  • Acknowledgments (page xi)
  • Introduction: The Dark Mirror (page 1)
  • PART 1 HOLLYWOOD IN BERLIN, 1933-1939
    • Chapter 1 Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry (page 23)
    • Chapter 2 Incorporating the Underground: Curtis Bernhardt's The Tunnel (page 50)
    • Chapter 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire (page 72)
    • Chapter 4 Siegfried Rides Again: Nazi Westerns and Modernity (page 99)
  • PART 2 BERLIN IN HOLLYWOOD, 1939-1955
    • Chapter 5 Wagner at Warner's: German Sounds and Hollywood Studio Visions (page 137)
    • Chapter 6 Berlin Noir: Robert Siodmak's Hollywood (page 164)
    • Chapter 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism (page 201)
    • Chapter 8 Isolde Resurrected: Curtis Bernhardt's Interrupted Melody (page 234)
  • Epilogue: "Talking about Germany" (page 259)
  • Notes (page 273)
  • Index (page 309)
Reviews
Journal AbbreviationLabelURL
GSR 27.2 (May 2004): 413-415 http://www.jstor.org/stable/1433125
JCH 39.1 (Jan. 2004): 147-155 http://www.jstor.org/stable/3180676
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