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Canoes: A Natural History in North America

Mark Neuzil and Norman Sims 2016
This is the story of the canoe, that singular American artifact so little changed over time. Featured here are canoes old and new, from birch bark to dugout to carbon fiber; the people who made them; and the adventures they shared. With features of technology, industry, art, and survival, the canoe carries us deep into the natural and cultural history of North America.

Follow author Mark Neuzil on Twitter: @mrneuzil

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ISBN(s)
  • 9780816681174 (hardcover)
Subject
  • Literature
  • Native American Studies
  • Regional Studies
  • Cultural Studies
  • History
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  • Introduction[remove]8

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  • Boundary Waters Canoe Area2
  • Minnesota2
  • birch bark2
  • painting2
  • Adirondacks1
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  • Bennett, H. H.1
  • Curtis, W. R.1
  • Hamel, Mark1
  • Jaques, Francis Lee1
  • Lunney, Gar1
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  • image8

    • photograph5
    • painting2
    • map1

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  • 18801
  • 18941
  • 19401
  • 19471
  • 19521
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Canoeists paddling a Wenonah Kevlar canoe above a rapids in the Boundary Waters Canoe Area.

Shooting the Rapids

From Introduction

Canoeists paddling a Wenonah Kevlar canoe above a rapids in the Boundary Waters Canoe Area.

Canoeists in a birch-bark canoe near Steamboat Rock, Wisconsin Dells.

Steamboat Rock

From Introduction

Photograph by H. H. Bennett, canoeists in a birch-bark canoe near Steamboat Rock, Wisconsin Dells.

Sigurd Olson’s Border Lakes Outfitting Company supplied paddlers with the necessary gear during the 1940s. Here a canoe is retrieved from the company warehouse, April 4, 1940.

Border Lakes Outfitting Company

From Introduction

Sigurd Olson’s Border Lakes Outfitting Company, April 4, 1940.

An oil painting of four canoes traveling past Picture Rock.

Picture Rock at Crooked Lake (Return of the Voyageur)

From Introduction

Francis Lee Jaques, Picture Rock at Crooked Lake (Return of the Voyageur), 1947. Oil on canvas, 83.8 x 106.6 cm.

Myron Nickerson, a former employee of J. Henry Rushton appears on the far right in this 1894 photograph. Nickerson’s livery on the Grasse River in Canton, New York, offered rentals of Adirondack guideboats, Rushton-style pleasure rowboats, small skiffs, and canoes. Nickerson holds a double-bladed canoe paddle in a boat that has also been fitted with non-feathering guideboat-style oars.

Myron Nickerson

From Introduction

Myron Nickerson, a former employee of J. Henry Rushton appears on the far right in this 1894 photograph.

This map of Maine’s Moosehead Lake and the headwaters of the Aroostook and Penobscot Rivers was drawn in 1880 by W. R. Curtis to accompany Canoe and Camera, a book by Thomas Sedgwick Steele. It was one of the first maps prepared expressly for canoeists.

Map of Maine’s Moosehead Lake

From Introduction

Map of Maine’s Moosehead Lake and the headwaters of the Aroostook and Penobscot Rivers, drawn in 1880 by W. R. Curtis.

An oil painting of a figure portaging a canoe.

Crossing the Shallows, Snake River

From Introduction

Mark Hamel, Crossing the Shallows, Snake River, 2014. Oil on mounted linen, 40.64 × 50.8 cm.

Canoeing became a more popular pastime in the twentieth century after the establishment of several national parks throughout North America. Here, two paddlers are photographed in 1952 at Banff National Park in Alberta, Canada.

Two Paddlers at Banff National Park, Alberta

From Introduction

Two paddlers are photographed in 1952 at Banff National Park in Alberta, Canada. Photograph by Gar Lunney, National Film Board of Canada Collection, Library and Archives of Canada, R1196-14-7-E.

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