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On criticizing music: five philosophical perspectives
Kingsley Price
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Frontmatter
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Contributors (page vii)
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Preface (page ix)
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1. Introduction (Kingsley Price, page 1)
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2. Influence: Plagiarism and Inspiration (Charles Rosen, page 16)
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3. The State of Academic Music Criticism (Joseph Kerman, page 38)
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4. Understanding Music (Monroe C. Beardsley, page 55)
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5. Romantic Music as Post-Kantian Critique: Classicism, Romanticism, and the Concept of the Semiotic Universe (Rose Rosengard Subotnik, page 74)
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6. Music Criticism: Practice and Malpractice (Karl Aschenbrenner, page 99)
Journal Abbreviation | Label | URL |
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JAE | 18.2 (Summer, 1984): 113-116 | http://www.jstor.org/stable/3332509 |
JAAC | 41.2 (Winter, 1982): 219-221 | http://www.jstor.org/stable/430272 |
MQ | 69.1 (Winter, 1983): 144-148 | http://www.jstor.org/stable/741809 |
MT | 124.1680 (Feb. 1983): 103 | http://www.jstor.org/stable/962680 |
Citable Link
Published: c1981
Publisher: Johns Hopkins University Press
- 9780801826139 (hardcover)