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Berg, Violin concerto
Anthony Pople
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Frontmatter
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Acknowledgements (page ix)
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1 Musical ideologies: style and genre in the 1930s (page 1)
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2 Towards the Violin Concerto (page 9)
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3 Composition and performance history (page 25)
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4 Form, materials and programme (page 47)
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5 Harmony, tonality and the series (page 65)
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6 Reception and critical evaluation (page 91)
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Notes (page 103)
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Select bibliography (page 114)
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Index (page 118)
Journal Abbreviation | Label | URL |
---|---|---|
TMP | 180 (Mar. 1992): 36-41 | http://www.jstor.org/stable/944735 |
MusA | 12.3 (Oct. 1993): 400-406 | http://www.jstor.org/stable/854152 |
MAL | 73.3 (Aug. 1992): 474-475 | http://www.jstor.org/stable/735325 |
NOT | 49.4 (Jun. 1993): 1459-1462 | http://www.jstor.org/stable/899390 |
Citable Link
Published: 1991
Publisher: Cambridge University Press
- 9781139085816 (ebook)
- 9780521399760 (paper)
- 9780521390668 (hardcover)