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Compositional theory in the eighteenth century
Joel Lester
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Frontmatter
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Introduction (page 1)
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1. Zarlino and His Legacy (page 7)
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2. Species Counterpoint and Fux's Gradus (page 26)
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3. Thoroughbass Methods (page 49)
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4. Rameau's Early Works (page 90)
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5. Rameau's Later Works and Controversies (page 127)
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6. Mattheson and the Study of Melody (page 158)
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7. Harmonic Perspectives on Counterpoint (page 175)
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8. Changing Aspects of Harmonic Theory (page 193)
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9. The Marpurg-Kirnberger Disputes (page 231)
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10. Riepel on Melody and Phrases (page 258)
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11. Koch: Toward a Comprehensive Approach to Musical Structure (page 273)
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Epilogue (page 300)
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Appendix I Rameau Nouveau systême de musique theorique (1726): Chapter 23, "Examples of Errors Found in the Figures of Corelli's op. 5" (page 305)
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Appendix 2 Concerning the Authenticity of Thoroughbass Methods Attributed to Albrechtsberger (page 320)
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Bibliography (page 323)
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Index (page 349)
Journal Abbreviation | Label | URL |
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MTS | 16.2 (Autumn 1994): 286-289 | http://www.jstor.org/stable/746040 |
NOT | 51.1 (Sep. 1994): 122-124 | http://www.jstor.org/stable/899196 |
Citable Link
Published: c1992
Publisher: Harvard University Press
- 9780674155237 (paper)
- 9780674155220 (hardcover)