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Ballet in Leicester Square: the Alhambra and the Empire, 1860-1915
Ivor Forbes Guest-
Frontmatter (page N/A)
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Introduction: English ballet at the crossroads (page 1)
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The Alhambra Ballet (page 11)
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I Ballet coomes to Leicester Square (1860-72) (page 12)
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II Improving the image (1872-84) (page 26)
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III The return of the narrative ballet (1884-94) (page 35)
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IV Changing fortunes (1894-1901) (page 55)
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V The Edwardian years (1902-10) (page 65)
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VI the last years of the Alhambra ballet (1911-12) (page 76)
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The Empire Ballet (page 87)
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7 The Empire Theatre's beginnings (1884-86) (page 88)
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VIII Katti Lanner (page 93)
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IX The Empire becomes the hoome of ballet (1887-91) (page 97)
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X The emergence of the up-to-date ballet (1891-97) (page 104)
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XI The Genee years (page 115)
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XII The final phase (1908-15) (page 133)
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Appendix A Ballets produced at the Alhambra, 1860-1912 (page 148)
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Appendix B Light opera divertissements at the Alhambra, 1872-84 (page 152)
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Appendix C Principal dancers in the Alhambra ballets, 1860-1912 (page 154)
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Alhambra ballets: selected scenarios (page 156)
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Appendix E Ballets produced at the Empire, 1884-1915 (page 163)
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Appendix F Principal dancers in the Empire ballets, 1884-1915 (page 165)
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Appendix G Empire ballets: selected scenarios (page 167)
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Appendix H Wilhelm's scenario for "High Jinks" (page 177)
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Bibliography (page 179)
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Index (page 181)
Journal Abbreviation | Label | URL |
---|---|---|
DC | 16.1 (1993): 129-131 | http://links.jstor.org/sici?sici=0147-2526%281993%2916%3A1%3C129%3AMHBIB%3E2.0.CO%3B2-1 |
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Citable Link
Published: 1992
Publisher: Dance Books
- 9781852730345 (hardcover)