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Carnal thoughts: embodiment and moving image culture
Vivian Carol Sobchack
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Frontmatter
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ACKNOWLEDGMENTS (page xi)
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INTRODUCTION (page 1)
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PART I. SENSIBLE SCENES
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1. Breadcrumbs in the Forest: Three Meditations on Being Lost in Space (page 13)
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2. Scary Women: Cinema, Surgery, and Special Effects (page 36)
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3. What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh (page 53)
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4. The Expanded Gaze in Contracted Space: Happenstance, Hazard, and the Flesh of the World (page 85)
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5. "Susie Scribbles": On Technology, Technë, and Writing Incarnate (page 109)
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6. The Scene of the Screen: Envisioning Photographic, Cinematic, and Electronic "Presence" (page 135)
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PART II. RESPONSIBLE VISIONS
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7. Beating the Meat / Surviving the Text, or How to Get Out of the Century Alive (page 165)
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8. Is Any Body Home? Embodied Imagination and Visible Evictions (page 179)
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9. A Leg to Stand On: Prosthetics, Metaphor, and Materiality (page 205)
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10. Inscribing Ethical Space: Ten Propositions on Death, Representation, and Documentary (page 226)
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11. The Charge of the Real: Embodied Knowledge and Cinematic Consciousness (page 258)
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12. The Passion of the Material: Toward a Phenomenology of Interobjectivity (page 286)
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INDEX (page 319)
Journal Abbreviation | Label | URL |
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FQ | 60.1 (Autumn 2001): 62-63 | http://www.jstor.org/stable/4486625 |
Citable Link
Published: c2004
Publisher: University of California Press
- 9780520937826 (ebook)
- 9780520241299 (paper)
- 9780520241282 (hardcover)