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Frontmatter
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Acknowledgments (page ix)
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Introduction (page 1)
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1. Being an Editor (Sheldon Kahn, page 13)
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2. Becoming an Editor (Emily Paine, page 29)
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3. Distilling the Documentary (Tom Haneke, page 41)
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4. Film as All the Arts (Carol Littleton, page 61)
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5. Flashback, Flashforward (Harold F. Kress and Carl Kress, page 79)
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6. The Essential Film (Geof Bartz, page 101)
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7. Telling Stories (Tom Rolf, page 119)
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8. Sparking Life, Shaping People (Paul Barnes, page 131)
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9. Touching the Heart (Anne V. Coates, page 151)
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10. Maximizing the Moment (Bill Pankow, page 171)
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11. "Percussive" Editing (Paul Hirsch, page 185)
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12. Keeping the Beat (Donn Cambern, page 199)
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13. Seeing the Invisible (Evan Lottman, page 219)
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14. Remaining Versatile (Peter C. Frank, page 235)
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15. "Good Stuff" Never Changes (John D. Dunning, page 253)
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16. Subliminal Truths (Ted Winterburn, page 269)
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17. The Inner Voice (Sidney Levin, page 289)
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18. Drawing the Emotional Line (Merie Worth, page 305)
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19. The Supreme Collaboration (Barry Malkin, page 323)
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20. Diplomatic Takes (Rudi Fehr, page 341)
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21. Creating a Legacy (Richard Marks, page 359)
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22. "Locking" Up (Alan Heim, page 375)
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Appendix: Awards and Nominations (page 397)
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References (page 403)
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Index (page 405)
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