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Modern drama & German classicism: renaissance from Lessing to Brecht
Benjamin Bennett
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Frontmatter
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Abbreviations (page 11)
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Introduction (page 15)
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1 Prinz Friedrich von Homburg: Theory in Practice (page 22)
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2 Lessing and the Problem of Drama (page 57)
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3 Nathan der Weise: Breakthrough in Practice (page 74)
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4 Iphigenie auf Tauris and Goethe's Idea of Drama (page 97)
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5 Egmont and the Maelstrom of the Self (page 121)
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6 The Importance of Being Egmont (page 151)
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7 Schiller's Theoretical Impasse and Maria Stuart (page 188)
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8 Breakthrough in Theory: The Philosophical Background of Modern Drama (page 229)
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9 The Assault upon the Audience: Types of Modern Drama (page 282)
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10 The Classic Modern: Brecht (page 315)
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Notes (page 335)
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Index (page 351)
Journal Abbreviation | Label | URL |
---|---|---|
MON | 74.2 (Summer 1982): 202 | http://www.jstor.org/stable/30165325 |
WLT | 55.1 (Winter 1981): 98 | http://www.jstor.org/stable/40135720 |
JEGP | 80.2 (Apr. 1981): 303-305 | http://www.jstor.org/stable/27708826 |
CL | 33.1 (Winter 1981): 104-106 | http://www.jstor.org/stable/1770430 |
MLR | 77. 1 (Jan. 1982): 232-233 | http://www.jstor.org/stable/3727565 |
CLS | 19.4 (Winter 1982): 475-479 | http://www.jstor.org/stable/40246358 |
GQ | 54.3 (May 1981): 380-381 | http://www.jstor.org/stable/406019 |
GSR | 4.1 (Feb. 1981): 124-125 | http://www.jstor.org/stable/1428767 |
MLN* | 98.3 (Apr. 1983): 502-505 | http://www.jstor.org/stable/2906024 |
TJ | 40.1 (Mar. 1988): 133-136 | http://www.jstor.org/stable/3207809 |
MD | 23.4 (Winter 1980): 501-502 | http://muse.jhu.edu/journals/modern_drama/v023/23.4.tracy.html |
Citable Link
Published: 1986
Publisher: Cornell University Press
- 9780801493911 (paper)
- 9780801411892 (hardcover)