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The invention of "folk music" and "art music": emerging categories from Ossian to Wagner
Matthew Gelbart
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Frontmatter
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List of music examples (page x)
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Acknowledgements (page xi)
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Introduction (page 1)
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1 Function to origin: national identity and national genius emerge, c. 1700-1780 (page 14)
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2 From pastoral to picturesque: nature, art, and genre in the later eighteenth century (page 40)
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3 Genius versus art in the creative process: "national" and "cultivated" music as categories, 1760-1800 (page 80)
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4 The invention of folk modality, 1775-1840 (page 111)
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5 "Folk" and "tradition": authenticity as musical idiom from the late eighteenth century onward (page 153)
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6 Organic "art music" and individual original genius: aestheticizing the folk collective (page 191)
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7 Local nation and universal folk: the legacy of geography in musical categories (page 225)
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8 Folk and art musics in the modern Western world (page 256)
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Index (page 278)
Citable Link
Published: c2007
Publisher: Cambridge University Press
- 9780521178341 (paper)
- 9780511353406 (ebook)
- 9780521863032 (hardcover)