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  2. The invention of "folk music" and "art music": emerging categories from Ossian to Wagner

The invention of "folk music" and "art music": emerging categories from Ossian to Wagner

Matthew Gelbart c2007 © Cambridge University Press
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Series
  • New Perspectives in Music History and Criticism
ISBN(s)
  • 9780511353406 (ebook)
  • 9780521863032 (hardcover)
  • 9780521178341 (paper)
Subject
  • Music & Musicology
Citable Link
  • Table of Contents

  • Stats

  • Frontmatter
  • List of music examples (page x)
  • Acknowledgements (page xi)
  • Introduction (page 1)
  • 1 Function to origin: national identity and national genius emerge, c. 1700-1780 (page 14)
  • 2 From pastoral to picturesque: nature, art, and genre in the later eighteenth century (page 40)
  • 3 Genius versus art in the creative process: "national" and "cultivated" music as categories, 1760-1800 (page 80)
  • 4 The invention of folk modality, 1775-1840 (page 111)
  • 5 "Folk" and "tradition": authenticity as musical idiom from the late eighteenth century onward (page 153)
  • 6 Organic "art music" and individual original genius: aestheticizing the folk collective (page 191)
  • 7 Local nation and universal folk: the legacy of geography in musical categories (page 225)
  • 8 Folk and art musics in the modern Western world (page 256)
  • Index (page 278)
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