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  2. Acting in the cinema

Acting in the cinema

James Naremore 1990 © University of California Press
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ISBN(s)
  • 9780520062283 (hardcover)
  • 9780520071940 (paper)
  • 9780520910669 (ebook)
Subject
  • Film & Media Studies
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • Acknowledgments (page ix)
  • 1 Introduction (page 1)
  • Part One: Performance in the Age of Mechanical Reproduction
    • 2 Protocols (page 9)
    • 3 Rhetoric and Expressive Technique (page 34)
    • 4 Expressive Coherence and Performance within Performance (page 68)
    • 5 Accessories (page 83)
  • Part Two: Star Performances
    • 6 Lillian Gish in True Heart Susie (1919) (page 99)
    • 7 Charles Chaplin in The Gold Rush (1925) (page 114)
    • 8 Marlene Dietrich in Morocco (1930) (page 131)
    • 9 James Cagney in Angels with Dirty Faces (1938) (page 157)
    • 10 Katherine Hepburn in Holiday (1938) (page 174)
    • 11 Marlon Brando in On the Waterfront (1954) (page 193)
    • 12 Cary Grant in North by Northwest (1959) (page 213)
  • Part Three: Film as a Performance Text
    • 13 Rear Window (1954) (page 239)
    • 14 The King of Comedy (1983) (page 262)
  • Selected Bibliography (page 287)
  • Index (page 295)
Reviews
Journal AbbreviationLabelURL
FQ 42.1 (Autumn 1988): 50 http://www.jstor.org/stable/1212441
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