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From madrigal to opera: Monteverdi's staging of the self
Mauro P. Calcagno
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Frontmatter
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List of Illustrations (page ix)
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Acknowledgments (page xi)
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Introduction (page 1)
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PART ONE. LA MUSICA AND ORFEO (page 9)
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1. Text, Context, Performance (page 15)
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2. Liminality, Dexis, Subjectivity (page 32)
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3. Performing the Dialogic Self (page 57)
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PART TWO. CONSTRUCTING THE NARRATOR (page 71)
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4. From Petrarch to Petrarchism: A Rhetoric of Voice and Address (page 73)
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5. In Search of Voice: Musical Petrarchism in the Sixteenth-Century Madrigal (page 101)
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PART THREE. STAGING THE SELF (page 189)
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6. Monteverdi, Narrator (page 191)
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7. The Possibility of Opera (page 238)
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Epilogue: Subjectivity, Theatrically, Multimediality (page 263)
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Appendix 1: Tables of Contents of the Madrigal Books (page 267)
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Appendix 2: Monteverdi, Combattimento di Tancredi e Clorinda: Text and Translation (page 271)
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Notes (page 277)
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Index (page 319)
Journal Abbreviation | Label | URL |
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Notes | 70.1 (2013): 91-93 | http://www.jstor.org/stable/43672701 |
RQ | 67.3 (2014): 1053-1054 | http://www.jstor.org/stable/10.1086/678854 |
Citable Link
Published: c2012
Publisher: University of California Press
- 9780520951525 (ebook)
- 9780520267688 (hardcover)