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The new German cinema: music, history, and the matter of style
Caryl Flinn
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Frontmatter
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Acknowledgments (page vii)
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Introduction: "Strategies of Remembrance" (page 1)
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PART I. HISTORICAL PREDECESSORS: MELODRAMA AND MODERNISM
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1. Mourning, Melancholia, and "New German Melodrama" (page 29)
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2. Modernism's Aftershocks: Peer Raben's Film Music for Fassbinder (page 70)
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PART II. MUSIC AND THE MATERIALS OF HISTORY: ALEXANDER KLUGE
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3. Kluge's Assault on History: Trauma, Testimony, and Difference in The Patriot (page 107)
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4. Undoing Act 5: History, Bodies, and Operatic Remains: Kluge's The Power of Emotion (page 138)
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PART III. QUEERING HISTORY THROUGH CAMP AND KITSCH
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5. Restaging History with Fantasy: Body, Camp, and Sound in the Films of Treut, Ottinger, and von Praunheim (page 173)
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6. Introjecting Kitsch: Werner Schroeter, Music, and Alterity (page 231)
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Coda: Working the Pieces (page 267)
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Notes (page 279)
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Index (page 313)
Journal Abbreviation | Label | URL |
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FQ | 59.2 (Winter 2005-2006): 70-71 | http://www.jstor.org/stable/3697296 |
Citable Link
Published: c2004
Publisher: University of California Press
- 9780520228955 (hardcover)
- 9780520937154 (ebook)
- 9780520238237 (paper)