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  2. How the West was sung: music in the Westerns of John Ford

How the West was sung: music in the Westerns of John Ford

Kathryn Marie Kalinak c2007 © University of California Press
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ISBN(s)
  • 9780520252332 (hardcover)
  • 9780520252349 (paper)
  • 9780520941076 (ebook)
Subject
  • Film & Media Studies
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • Acknowledgments (page ix)
  • Introduction (page 1)
  • 1. How the West Was Sung: Music in the Life and Films of John Ford (page 9)
  • 2. Hearing the Music in John Ford's Silents: The Iron Horse and 3 Bad Men (page 23)
  • 3. "Based on American Folk Songs": Scoring the West in Stagecoach (page 49)
  • 4. Two Fordian Film Scores: My Darling Clementine and The Man Who Shot Liberty Valance (page 76)
  • 5. "Western as Hell": 3 Godfathers and Wagon Master (page 100)
  • 6. "The Girl I Left Behind Me": Men, Women, and Ireland in the Cavalry Trilogy (page 122)
  • 7. "What Makes a Man to Wander": The Searchers (page 158)
  • 8. In the Shadow of The Searchers: Two Rode Together and Sergeant Rutledge (page 181)
  • 9. Cheyenne Autumn: A Conclusion (page 194)
  • Notes (page 203)
  • Select Bibliography (page 235)
  • Index (page 241)
Reviews
Journal AbbreviationLabelURL
NOT 66.2 (Dec. 2009): 278-279 http://muse.jhu.edu/journals/notes/v066/66.2.bauman.html
MI 9.1 (Spring 2009): 236-238 http://muse.jhu.edu/journals/the_moving_image/v009/9.1.magee.html
MSMI 2.1 (Spring 2008): 77-82 http://muse.jhu.edu/journals/music_sound_and_the_moving_image/v002/2.1.donnelly.html
AmS 48.3 (Fall 2007): 172-173 http://muse.jhu.edu/journals/american_studies/v048/48.3.williams.html
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