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How the West was sung: music in the Westerns of John Ford
Kathryn Marie Kalinak
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Frontmatter
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Acknowledgments (page ix)
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Introduction (page 1)
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1. How the West Was Sung: Music in the Life and Films of John Ford (page 9)
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2. Hearing the Music in John Ford's Silents: The Iron Horse and 3 Bad Men (page 23)
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3. "Based on American Folk Songs": Scoring the West in Stagecoach (page 49)
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4. Two Fordian Film Scores: My Darling Clementine and The Man Who Shot Liberty Valance (page 76)
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5. "Western as Hell": 3 Godfathers and Wagon Master (page 100)
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6. "The Girl I Left Behind Me": Men, Women, and Ireland in the Cavalry Trilogy (page 122)
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7. "What Makes a Man to Wander": The Searchers (page 158)
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8. In the Shadow of The Searchers: Two Rode Together and Sergeant Rutledge (page 181)
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9. Cheyenne Autumn: A Conclusion (page 194)
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Notes (page 203)
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Select Bibliography (page 235)
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Index (page 241)
Journal Abbreviation | Label | URL |
---|---|---|
NOT | 66.2 (Dec. 2009): 278-279 | http://muse.jhu.edu/journals/notes/v066/66.2.bauman.html |
MI | 9.1 (Spring 2009): 236-238 | http://muse.jhu.edu/journals/the_moving_image/v009/9.1.magee.html |
MSMI | 2.1 (Spring 2008): 77-82 | http://muse.jhu.edu/journals/music_sound_and_the_moving_image/v002/2.1.donnelly.html |
AmS | 48.3 (Fall 2007): 172-173 | http://muse.jhu.edu/journals/american_studies/v048/48.3.williams.html |
Citable Link
Published: c2007
Publisher: University of California Press
- 9780520941076 (ebook)
- 9780520252349 (paper)
- 9780520252332 (hardcover)