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Schoenberg's musical imagination
Michael Cherlin
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Frontmatter
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List of music examples and figures (page viii)
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Acknowledgements (page xv)
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Introduction (page 1)
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1 A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century (page 20)
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2 Dialectical opposition in Schoenberg's music and thought (page 44)
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3 Dramatic conflict in Pelleas und Melisande (page 68)
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4 Motive and memory in Schoenberg's First String Quartet (page 155)
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5 Uncanny expressions of time in the music of Arnold Schoenberg (page 173)
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6 The tone row as the source of dramatic conflict in Moses und Aron (page 230)
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7 The String Trio: metaleptic Schoenberg (page 299)
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Notes (page 340)
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Bibliography (page 384)
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General index - names and topics (page 390)
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Index of Schoenberg's works and writings (page 396)
Citable Link
Published: c2007
Publisher: Cambridge University Press
- 9780511287695 (ebook)
- 9780521108348 (paper)
- 9780521851664 (hardcover)