Share the story of what Open Access means to you
![a graphic of a lock that is open, the universal logo for open access](/assets/oa-lock-logo-lg-a95dd8d9f9fe5e21ab4499ffd0c8661e55f7d788ae0a03f19a6749eb82e3e899.png)
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
The world according to Hollywood, 1918-1939
Ruth Vasey-
Frontmatter
-
Illustrations (page ix)
-
Acknowledgments (page xi)
-
Abbreviations (page xv)
-
Introduction (page 3)
-
1. Image Making: Managing the Expansion of the Motion Picture Industry (page 13)
-
2. The Open Door: The Industry's Public Relations (page 29)
-
3. Sound Effects: Technology and Adaptation (page 63)
-
4. Sophisticated Responses and Displaced Persons: Content Regulation and the Studio Relations Committee (page 100)
-
5. Why Is Mr. Brown Eating Spaghetti? Content Regulation and the Production Code Administration (page 127)
-
6. Diplomatic Representations: Accommodating the Foreign Market (page 158)
-
7. The Big Picture: The Politics of "Industry Policy" (page 194)
-
Conclusion (page 225)
-
Notes (page 231)
-
Works Cited (page 275)
-
Index (page 285)
Journal Abbreviation | Label | URL |
---|---|---|
AHR | 103.1 (Feb. 1998): 293-294 | http://www.jstor.org/stable/2650958 |
BHR | 71.4 (Winter 1997): 623-624 | http://www.jstor.org/stable/3116316 |
JAH | 84.4 (Mar. 1998): 1554 | http://www.jstor.org/stable/2568195 |
PHR | 67.4 (Nov. 1998): 637-639 | http://www.jstor.org/stable/3641208 |
FQ | 53.1 (Autumn 1999): 63-64 | http://www.jstor.org/stable/3697228 |
AJAS | 17.1 (July 1998): 71-75 | http://www.jstor.org/stable/41415959 |
![](/image-service/s1784m3131530921819/full/full/0/default.png)
Citable Link
Published: c1997
Publisher: The University of Wisconsin Press
- 9780299151904 (hardcover)
- 9780299151942 (paper)