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  2. Coloring whiteness: acts of critique in Black performance

Coloring whiteness: acts of critique in Black performance

Faedra Chatard Carpenter c2014 © University of Michigan Press
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ISBN(s)
  • 9780472052363 (paper)
  • 9780472120659 (ebook)
  • 9780472072361 (hardcover)
Subject
  • Dance & Performance History
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • Introduction: Dramaturgies of Whiteness in Contemporary African American Performance (page 1)
  • Chapter One: Douglas Turner Ward's Play on Whiteness: Day of Absence on America's Public Stages (page 30)
  • Chapter Two: Staging Hegemonic Whiteness: The Bluest Eye and the Performance of Paradoxes of (In)visibility (page 80)
  • Chapter Three: Whiteness as "Becoming": The Corporeal Crossovers of Daniel Tisdale and Michael Jackson (page 117)
  • Chapter Four: "Mixing It Up": Enacting Whiteness in the Comedic World of Dave Chapelle (page 161)
  • Chapter Five: "Sounding Off on Sounding White": Aural Whiteness, Linguistic Whiteface, and the Economics of Opportunity (page 194)
  • Coda: Whiteface to Postrace? The Artful Interrogations of Jefferson Pinder (page 225)
  • Notes (page 239)
  • Bibliography (page 279)
  • Index (page 293)
Reviews
Journal AbbreviationLabelURL
ModD 59.1 (spring 2016): 115-117 https://muse.jhu.edu/article/611635
JDTC 30.2 (spring 2016): 145-147 https://muse.jhu.edu/article/617892
TJ 67.4 (December 2015): 753-754 https://muse.jhu.edu/article/606006
TDR 60.2 (summer 2016): 159-162 https://muse.jhu.edu/article/619203
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